Earlier this year, Viola Davis excitedly quoted August Wilson’s play, Joe Turner’s Come and Gone, while announcing Michael B Jordan’s Oscar win. “You are shining, Herald Loomis,” she beamed, “shining like new money!” It was a touching acknowledgment of the actor’s long-awaited recognition, and the glory that awaits him. For most of Wilson’s 1911-set piece, Loomis is a man weary from an endless walk through the shadow of the valley of death, his spirit all but broken by systemic racism. Salvation is hardly guaranteed, but flickers in the distance.
So it goes in Debbie Allen’s uneven Broadway staging, the play’s third
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