No small part of the power in Richard Thomas‘ Tony-nominated performance in the current production of David Lindsay-Abaire’s subtly scalding play The Balusters might, in fact, be something the audience itself carries into the theater: We are programmed to love this actor. Not just to admire his tremendous talent and the nuanced character study he offers up nightly, but him, the actual man we watched grow up on our TV screens on one of the most beloved family dramas of all time. Plenty of people still watch that show – got cable? Then you probably got The Waltons – so
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