Did you ever feel that King of New York could have done with a bit more Wing Chun? Did you ever think that John Woo’s films weren’t quite Catholic enough? That the siege of Troy might have been handled a bit more successfully if the Greeks had a bazooka? If your answer is yes to even one of these questions, then Barthélémy Grossmann’s old-school beat-’em-is for you, a violent multifaith mob movie with a script so fantastically absurd it can only come from the mind of French auteur Luc Besson, who somehow segued from Le Cinema du Look of the
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