In 2015, Alyssa Hill’s startling Holocaust-themed script made the Black List of best unproduced screenplays. Now, a decade later, it has finally been made, and somehow the timing is just right for this challenging and pertinent portrait of a woman who lived a lie, hiding in plain sight until an intrepid young New York Times journalist uncovered her shocking secret right in the heart of Queens circa 1964, almost 20 years after the horrific events she has kept hidden, even from her husband, in a completely different life in post-war America.
I say the timing is eerily right since
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